The Art of Fugue
The Smithsonian Consort of Viols:
Chelsea Bernstein, Cat Slowik, Kenneth Slowik, and Arnie Tanimoto
Friday, Jan. 17 at 5 p.m.
First Presbyterian Church
704 Whitney Ave., New Haven
Free; no tickets required
Johann Sebastian Bach’s final composition demonstrates his complete mastery of musical counterpoint in all its variety. Bach did not specify any particular instruments for these works, so many arrangements have been created and performed. Here, we will have excerpts from Bach’s work arranged for four-part viol consort by the performers.
Clockwise from top left, Chelsea Bernstein, Cat Slowik, Kenneth Slowik, and Arnie Tanimoto
Meet the performers
The Smithsonian Consort of Viols
Chelsea Bernstein, Cat Slowik, Kenneth Slowik, and Arnie Tanimoto
Chelsea Bernstein is a specialist in the performance of modern cello, historical cello, and viola da gamba. She performs regularly with the Arrow Quartet, Newport String Quartet, Apple Hill Center for Chamber Music, Smithsonian Chamber Music Society, American Bach Soloists, and Gotham Early Music Scene. Chelsea holds degrees from The Juilliard School and the University of Maryland.
Cat Slowik is a versatile multi-instrumentalist specializing in historical performance, performing regularly on viola da gamba, cello, baryton, and violone. A member of the Smithsonian Consort of Viols, Elm City Consort, Yale Baroque Opera Project, and Yale Collegium Musicum—whose viol consort she directs—Slowik also serves on the faculty of Oberlin’s Baroque Performance Institute. Slowik holds degrees from Columbia and Yale Universities.
Kenneth Slowik first established his international reputation as a cellist and viola da gamba player through his work with the Smithsonian Chamber Players, Castle Trio, Smithson String Quartet, Axelrod Quartet, and with Anner Bylsma’s L’Archibudelli. Artistic Director of the Smithsonian Chamber Music Society and the Oberlin Baroque Performance Institute, he serves on the faculties of the University of Maryland and the American Bach Soloists Academy, and is a recipient of the Smithsonian Secretary’s Distinguished Scholar Award.
Arnie Tanimoto, gold medalist of the 2018 International Bach-Abel Competition, is recognized as one of the foremost viol players in the United States. A founding member of the Academy of Sacred Drama, he also co-directs A Golden Wire with harpist Parker Ramsay. Arnie is on faculty at Princeton University, where he is currently the acting director of Early Music Princeton.
Program
Die Kunst der Fuge, BWV 1080
J. S. Bach (1685-1750)
Simple 4-part fugues
Contrapunctus 1: Fugue on the main theme
Contrapunctus 3: Fugue on the inversion of the main theme
Contrapunctus 2: Fugue on the main theme
Contrapunctus 4: Fugue on the inversion of the main theme
Fugues with overlapping themes and counter-themes (“stretto” fugues)
Contrapunctus 5: Stretto fugue on the altered main theme and its inversion
Contrapunctus 6: Stretto fugue in the French style on the theme and itsinversion, in two different time values (normal and diminution)
Contrapunctus 7: Stretto fugue with six versions of the theme: regular and inverted in normal rhythm, augmentation (half as fast) and dimimuntion (twice as fast)
Contrapunctus 9: Double fugue on the main theme and a new theme
Complex fugues with new themes
Contrapunctus 10: Double fugue with a new theme and the altered main theme
Contrapunctus 11: Triple fugue with two new themes and the main theme
Contrapunctus 18: Incomplete fugue on three new themes, the third spelling B-A-C-H